name organization after effects color finesse le regestire

#Name organization after effects color finesse le regestire full

It was shocking to me to see something low–key made at a friend’s house turn into this calling card for me working with other artists. “I made my album with Shawn, and the idea was to just experiment. Photo: Mike PiscitelliAccording to Mills, the production approach of Sound & Color finds some of its roots in his first, barely there solo album, Break Mirrors, which purely through word–of–mouth ended up being name–checked by a few dozen artists as an inspiration. As so often, there also was the unsung behind–the–scenes engineer and mixer, in this case Shawn Everett, who was to a large degree responsible for the album’s thunderous bass, sonic depth and wide array of colours.īlake Mills.

#Name organization after effects color finesse le regestire full

One critic aptly described Sound & Color as a “deliberately weird record, but authentically weird it’s chaotic yet cohesive, full of sound, colour and unshakable vision.”Ī few reviewers were perceptive enough to give some of the credit for the high achievement of Sound & Color to producer Blake Mills, a 28–year old guitar virtuoso from Los Angeles who has released two solo albums to date: Break Mirrors (2010) and Heigh Ho (2014). The album entered at number one in the US charts and was top five in many other countries around the world, while critical reaction was overwhelmingly positive. Second albums are generally considered to be notoriously difficult, but Alabama Shakes have given received wisdom a good, er, shake with Sound & Color. In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment - and took full advantage. Shawn Everett engineered and mixed Sound & Color.